A Japa Tale, a short film by Nigerian author and director Dika Ofoma, investigates the dynamics of the relocation via the tale of a young couple named Emuche and Dubem, portrayed by Onyinye Odokoro and Daniel Ngozika. The movie explores the facts of the current “Japa” movement (emigration from Nigeria) and how it affects relationships.
There are many intricate plot twists, but the story is not unbelievable. Emuche becomes aware of Dubem’s desire to leave the nation unexpectedly. Without giving his partner even a hint, he moves through the various phases until he shocks Emuche with the news, who does not take it well.
Dubem’s mother, a typical Nigerian mother, has a dominating, opinionated demeanor that contrasts with Emuche’s contemporary, decisive nature.
The friction between them threatens to split the relationship apart instead of distance. She realizes that this is not what she wants for herself after Dubem refuses to adequately defend her and she no longer wants to contend with ongoing disagreements about minor issues. While Dubem belittles Emuche’s goals despite her attempts to break them off, her strong-willed, self-assured personality shines through.
Despite Dubem’s adamant objection to an abortion, the pair part ways as the movie concludes with Emuche accepting full responsibility for her pregnancy and agreeing to let him know what she decides to do about it.
The novelty and magnifying of a common event are what most stick out in this brief yet captivating work. With a large infusion of the Igbo language, which gives it a more authentic flavor, the conversation is simple and as natural-sounding as they come. The profundity of Ofoma’s short video is exceptional because of the way he skillfully depicts the importance of self-awareness.
Despite her complaints that she wasn’t included from the beginning, Emuche accepts Dubem’s choice but won’t sacrifice herself to help him realize his goals.
Overall, A Japa Tale is a roller-coaster of emotions that draws the viewer into the protagonists’ lives. With performers who thoroughly embody Ofoma’s script, it provides a welcome diversion from the overblown and overused cliches frequently found in Nollywood.
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